
From Delhi
Times
Saturday March 1, 2003, page 2
THERE, WHERE IT ALL BEGAN
by Anubhaid Sawhney, Times News Network
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IT'S
YESTERDAY ONCE MORE: Delhi Times freeze frames the
poise of a partnership spanning four decades as Ismail
Merchant, James Ivory and Shashi Kapoor return to 7/7,
Daryaganj, where they first teamed up together, to
shoot for The Householder.
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It is a
long, winding road that leads to 7/7, Daryaganj. Equally long-winding
is the celluloid history of this house, dating back as it does
to 41 years. But for three men - Ismail Merchant, James Ivory
and Shashi Kapoor - this house is not just about celluloid
history: it is about a partner ship which was forged on February
24, 1962 - a partnership which has stood the test of time.
For this huge house is where Merchant, Ivory and Kapoor canned
the first shot of The Householder - the movie which
brought them together for the first time.
Sepia-toned
memories spring to life on this trip down memory lane. "I
recall how we were doing an all-night shoot and Shashi was
so tired that he slept in the floor, using a brick for a pillow," reminisces
Ivory. "Yeah, I remember that too," confirm Kapoor.
One incident will never forget is how a monkey picked up cameramen
Subrata Mitra's lens. We really had to coax him to return it," relates
Merchant.
As the
three men walk down the steep, well-worn stairs, there is a
sense of familiarity. . . the walls, the rooms. "This
is where the kitchen was," says Merchant. It is still
there. "Maaji made rotis for me here. I
was not too fond of the food ordered from outside," adds
Kapoor. Maaji is the mother of Prakash Narain, whose
ancestral home is where The Householder was not.
The
mood is reflective as a million memories come rushing back.
And then, a voice speaks when the earnestness of a sudden total
recall. "And here is Leela's (Naidu) make up room," says
Kapoor. "I didnt know Leela had a meditation room," says
Ivory, "She must have needed one for sure!"
7/7,
Daryaganj. Another mansion within a maze of structures. Why
did they choose this particular house? "The view. With
a mosque in the background, this made for the perfect location," offers
Merchant. "Did you?" interrupts Ivory. "Of course," quips
Merchant, adding, "James was clueless about Delhi when
I got here and saw the place." "I was not," grumbles
Ivory. The friendly arguments continues. . .
While
sipping on a glass of cola, Ivory points to the beverage and
reminisces, "This was the one thing that kept me alive
through those 10 weeks of shooting here." "Yeah!
You were always so quiet and bothered," says Kapoor. "Absolutely,
I was always standing under the fan," confirms Ivory.
Having
returned to the roots of a 40-year bond, the thoughts of the
three men is insightful. How do they feel? "Old," laughs
Kapoor. "Good," quips Merchant. "Happy," says
Ivory, and gets a picture clicked on what was his first film
set.
As Merchant,
Ivory and Kapoor turn the clock back, time stops for a moment
- as if to pause. It's not everyday that it's yesterday once
more.